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My son and I were talking the other day, and the subject of the conversation was about asking for things.
I’ve learned, over the years, that often you don’t get what you want because you don’t ask for it. This concept has been around for thousands of years. I learned it pretty clearly on a number of occasions, We talked about how, if you don’t ask for something, the answer, if you will, is a guaranteed ‘no’, whereas if you do ask, the answer is at least a ‘maybe’.
So I got to thinking about this whole thing – realized that a number of the stories I’ve written are because I simply didn’t understand that someone could possibly say ‘no’ to a well reasoned, logical request. The story about Fifi is a prime example. So’s the story about Misty 42. There’s a bunch of unwritten stories still in my head that are the same way – and this whole thing could apply to any life situation. I mean seriously, what right did I have to badger a newspaper photo editor that I didn’t know into holding space for me on the front page of his paper so I could talk my way onto the only flying B-29 in the world… Then again – who was I to just casually talk my way onto a KC-135 tanker (twice, actually) and get a picture of an F-4 Phantom seconds before it refueled? (Those are the above stories) Who was I to get strapped into a C-130 for the greenest ride of my life?
What did I do to deserve something as cool as some of the things I was privileged to do?
Well – the answer’s pretty simple. I asked.
See – that whole thing about a guaranteed “no” is something I learned early on, whether it involved asking a young lady out on a date when I was younger, or asking for a seemingly nonexistent transmission for my car, or if I somehow could get go onto a plane, train, or automobile (yes, I have stories of all three) – it was still the same. If I didn’t ask, the answer was no. So… I asked. So with that as a little bit of a background, let me take you to a small town in west central Ohio for one of these stories – just because it was an example of what a difference asking a question like that can make.
I’d just started my internship as a photojournalist at the Sidney Daily News, and was between assignments, looking for some of what they called “Feature” shots. That means anything that makes you think thoughts like “oh, cool!” or “gosh, I wonder how they got that shot”, or just something that’s a fun picture to take, something to share with the folks who live in the area, and, hopefully, is of general interest. Part of this was just having a fresh set of eyes that hadn’t seen anything like this town before, part of it was just curiosity. So being between assignments, I found myself in the center of town, driving circles counter clockwise around the courthouse. There was construction going on, and I thought I could make an interesting image out of it. I saw a fellow up on the scaffolding, and figured I’d found something to work with – so I parked the car, grabbed my gear, and moved so there weren’t trees in the way. I realized I’d need my 300 mm Nikkor 4.5 because of how far I was – then realized that wasn’t enough. Hmm. I put the doubler on it, making it act like a 600 mm lens. Then I got down on one knee, steadied myself with one elbow on the trunk lid of the car, and then realized that I was taking a shot anyone on the street could take with what was then the camera that produced some of the crappiest pictures on the market, a Disc Camera. Oh, sure, my shot would look like it was shot through a telescope compared to the Disc Camera, but that wasn’t the point… The point was that I’d been hired to take photographs that other people couldn’t see, that other people couldn’t get to, or that other people would never in their wildest dreams think of taking. I mean, it was possible to take a photograph of the courthouse from the ground and have it look great. I found a shot online and asked the fellow if I could use it (Thank you David Grant)– and here it is:
Problem though, was the light for what I wanted to shoot, while gorgeous like the shot above, wasn’t that gorgeous on the side of the court house where my picture was waiting for me. I knew that – I’d driven around the thing, and sure enough, all the action was on the shady side. Sigh. I put the camera down before I took a poorly lit shot anyone else could take from across the street, and stood up.
And then I did something dangerous.
I started wondering…
I wondered what the view from up there was like…
And then I wondered how I could get up there…
And then I did some thinking about how I could get up there.
See, if you want to get into a building, and if you want to go straight to the top, it’s best to start right at the bottom – and often, as in this case, the fellow at the bottom is the janitor.
Janitors are amazing people. They have keys for EVERYTHING. So I made sure the car was locked, threw everything over my shoulder and headed into the courthouse, to have a chat with whoever was playing receptionist and see if together we could find the janitor. One receptionist’s phone call later, I was introduced to the older gentleman with the iconic huge ring of keys, and I heard myself give what would be my standard greeting for the next few months, “Hi, my name’s Tom Roush and I’m a photographer for the Sidney Daily News…” followed by the question of the day. In this case, it was: “I see you’ve got some work being done on the roof, and was wondering if I could get some shots of it for the paper. Is there any way I could get up there?”
I don’t think five minutes had gone by from the time I didn’t take that picture over the trunk of the car until I was walking out of the elevator, through a dusty attic filled with huge beams, and through a small open window onto the roof. The janitor looked out, called up to the fellow I’d seen, then stepped aside and let me crawl out. I introduced myself to the fellow many feet over my head up on the scaffolding and asked if I could come up. He stopped his caulking for a moment and looked down, seeing I was carrying a camera bag, a couple of cameras, including that one with the 300 mm lens and the doubler on it.
Somehow bringing the bag up there onto the scaffolding was deemed, without any words needing to be spoken, a bad idea. So I set it down, put the 24mm wide angle lens on the F-3, slung it over my shoulder, and carefully climbed up the scaffolding. I climbed on top of the topmost section so I could look down and see him, my goal being to see – and thus tell a story – that no one else could see. I sat on the very top of the scaffolding, wrapped my right leg around the vertical part of the support, leaned back, (yes, the scaffolding leaned with me, but not by much) composed the frame so the horizon was at the top, then told the fellow to just keep working as he could (as I write this I still can’t believe I did that – there was nothing but air between me and the roof about 30 feet below, and had I slipped, I would have rolled down, then off the roof and fallen another 40 feet or so before becoming one with the pavement.
And the thing is – I could have taken that first shot from across the street, it would have been safe – but it would have been a totally forgettable image, lost in the back of the paper somewhere.
But I didn’t take that first shot.
I wondered, “What if?”
I wondered, “What can I do that will make this better?”
And then I realized the only thing keeping me from making it better was me.
I had to go in, ask a question that they could have easily said,”No.” to, and that would have been that.
But I didn’t.
I asked.
And when you’re faced with weird situations in life when you’re just thinking there’s no way you can succeed – trust me, there are ways you can succeed.
And stand out – literally above the crowd.
There have been times in my life – and there will be times in yours, when you find you can barely think of the question to ask, much less step out of your comfort zone and ask it, but that little thought, that maybe, just maybe, asking will make a difference, that *is* the difference. In fact, often, the hardest/simplest/most important thing of all is for you to step out of your comfort zone and just ask.
Now, understand, whoever you’re asking might say no, and you’ll be right where you were before you asked the question, but so what?
You can try something else then.
On the other hand, if you don’t ask, the “no” is guaranteed.
So…
Take care – really – be careful out (and up) there.
And don’t forget, it’s okay to ask.
Think about it: what’s the worst that can happen? (they say “No”, and life hasn’t changed. But if you do – the results can be magic. I’m working on a few more stories that will show you what happens if you dare to ask – they’ll come out over the next year or so, and often, they will be the story behind a photograph (which is proof in and of itself) All that said, here (below) is the shot I’ve been describing. (in another frame you’d see the camera bag teetering at the bottom of the frame, but that one didn’t make the final cut)…
…and how it appeared in the paper the next day.

The front page, with the camera & lens I shot it with. At top is the camera bag mentioned in the story. (click for larger image)
Well, school started for a lot of kids this week – and it got me thinking about my first day of school many years ago.
Mind you, it was grad school, but “The First Day of School” seems to have the same connotations no matter where you go or how old you are. I got in touch again with a friend the other day, and she was telling me how nervous and antsy she was about the first day of school.
Then I found out she was a teacher.
I guess those “First Day of School” jitters never really go away, huh?
So the first day of school I was thinking about was when I went to Grad school in Athens, Ohio, and I got there in September, a number of years ago.
You know that song, “Try to remember, the kind of September… when life was sweet, and oh so mellow…”
Honestly, I don’t remember this particular September as being quite the gentle one mentioned in the song. This one involved moving across the country, to a place I’d never been, and doing something that everyone but me thought I was really good at, and learning to be better at it.
I was graciously given a ride down from the Cleveland Airport from my friend Renee’s parents, who were a nice transition from leaving a place where I knew everything to arriving at a place where it seemed I knew absolutely nothing. We got there in the evening, with enough light to take my suitcase and pack up to the third floor walk-up apartment (a semi-finished attic that was being rented out). I turned the radio on I’d had shipped ahead on to hear something familiar, only to hear stations from Chicago to West Virginia.
Wow – They were a far cry from what I was used to. Everything was so new, and I suddenly felt so very far from home. In fact, not only was everything new, but there was just so much of it to absorb. On top of that, aside from Renee’s parents, the closest person I knew was a minimum of 2,000 miles away. The adventure of it all seemed to pale in comparison to the enormity of the distance from all things familiar.
The closest phone was a phone booth at the grocery store a couple of blocks away, so I walked over there and called home to let my folks know I’d arrived and was getting settled, (and, honestly, to hear a familiar voice).
The next day I decided to explore my surroundings, since I was expecting to be there for at least a year, possibly two, so I went for a walk. I’d been writing a letter, so I took the clipboard I had the paper on, slung one of my cameras over my shoulder and headed out. I was more than a little astonished at people’s reactions to that. I’d be walking along, taking pictures of the campus, writing in the letter that I had on the clipboard about what I’d seen, and people would see me and give me a really wide berth, like they didn’t want anything to do with me. Later I realized that I must have looked very official, and people just wigged out a little, not realizing that at the time, that all I was doing was taking pictures for a letter I was writing to my folks.
Oh well.
One thing I learned on that walk was that the humidity in southeast Ohio was a little different than it was in Seattle. I won’t say it was humid, but I will say that if you had a potato chip that was too large, you could fold it in half before you gnawed it to death. It was so humid you really didn’t get much wetter if you jumped into a pool, a shower, or a bathtub. The apartment I was in had an air conditioner, but all that did was change the climate in that attic apartment from hot and sticky to cold and clammy. In a nutshell, it went from plain uncomfortable to just plain gross.
I also began to understand the concept of big porches, which we don’t really have much of in the northwest. You might spend time inside, and you might spend time outside, but that halfway point between the two, the front porch, really doesn’t exist where I come from, so it’s a whole different culture, just by that very little architectural thing, and one of the things you do on a porch is just sit there and watch the world go by.
Now, given that my place had no porch, and because there were very few places in it where you could actually stand up all the way, I found myself staying there mainly to sleep, and the first quarter there I did surprisingly little of that. The girls on the second floor downstairs smoked, so there was this constant stale smoke smell that permeated everything. Well, not everything. If you got close enough to the air conditioner to be cold and clammy, the stale smoke smell lost out to the slimy, mildewy, air conditioner smell.
Ummmyeah… an olfactory experience not to be missed, I tell you…
Not.
On the walls was this old (actually kind of pretty) pine paneling. But the one thing I really liked about the apartment was the location. It was literally across the parking lot from the school of art, where I had most of my classes. I could be in class in 2 minutes flat, assuming I was in the apartment. Usually I was in one of the studios, the darkroom, or the computer lab. Like I said, I used the place for sleeping and that was about it.
And so, like many other people in the area did in the evening, I went for a walk, just to get out of the house. And that early evening, while walking up the street, no cars moving anywhere, I saw a guy, sitting on his porch, at his house, across the street.
Alone.
He was rocked back on a chair, gently fanning himself with a ratty old hat, watching the world go by, which at that moment, consisted of just me.
“Hah!”
(Hah?)
I looked around.
He clearly couldn’t be talking to me.
I mean, he was all the way across the street from me.
In Seattle, where I’d been, there was always traffic. You wouldn’t dare talk to someone across the street without looking both ways to see if you’d be interrupted or hit by a car or truck or bus coming by.
I looked left and right.
Still no cars.
In fact, no trucks.
Or buses.
Not even a stray cat to make life interesting.
“Haaaayadoin?”
(Haaaayadoin?)
(oh… “How are you doing?”)
I looked back at him – he was looking right at me and obviously talking only to me.
“Uh, fine?”
“Naaas weather, ain’it?”
Nice?
Nice?
I started thinking of that potato chip I mentioned earlier. It wasn’t – oh, he’s making conversation – I get it. I’d lived alone for the last year. I was completely out of practice of simply making conversation, but I gave it a try.
“Um… a little humid.”
He smiled and waved the ratty hat at me.
“Have a naaas dayie”
I waved back, pondered the whole exchange for a bit and kept going… There was something about the way he waved that would repeat itself a couple of years later in a totally different setting, but that wave, and the willingness to just say hi to a stranger, was something worth more than I realized at the time.
I’d rented the apartment sight unseen from a lady I only knew through several other people. In fact, I rented it from a payphone at the Safeway on top of Queen Anne hill in Seattle. I’d never done anything like that before, but it worked out well. She’d mailed me a key to the place, so I was able to get into the apartment, and when I was all settled in there in Athens, I called her, and she came by to show me around. I didn’t realize that “around” would include a guided tour of the whole town, but it did.
She took me for a ride in her old metal flake green convertible that, honestly, reminded me of a cross between split pea soup, and the worst cold I ever had. For some reason known only to her and God himself, she had eye shadow to match the car.
She was an absolute sweetheart, but being driven around in a huge convertible snot green 1972 Cadillac with white leather seats by a little old lady, (and I mean little, my gosh, if she was 5 feet tall I’d have been surprised. She had the seat all the way forward, an old pillow tucked behind her, and was driving this behemoth with her toes) just wasn’t what I was expecting as a young college student ready to take on the world.
I clearly had a lot to learn.
She took me for that tour of town, showing me where everything was. Most places have a “downtown”. Athens has an “uptown”.
We stopped at a traffic light, in the left lane, the big V-8 engine in front of us almost silent, and were talking a bit about town when another convertible pulled up beside us. Actually, “pulled up” is far too gentle a word. This was a bright, fire engine red, convertible VW Rabbit, and I, who had been living alone for over a year, was suddenly faced with four – um “college women” who just, for lack of a better phrase, simply materialized beside us with a little ‘scritch’ of their tires. The girls were, let’s just say they weren’t the “California Girls” in the Beach Boys song, but Lordy, they would sure have found a place in it… I think somewhere between the “Southern Girls” and the “Midwest farmer’s daughters” – they would have fit just fine… They were dressed for the weather, full of life and fun, laughing and giggling. I was just getting my mind, and, admittedly, eyes around what I was seeing, the girls laughed, said, “Hi!” The light turned green, and they were gone.
Um.
Wait?
I looked left, and a thought crossed my mind. The little old lady peering under the steering wheel hadn’t always been old. It made me wonder if, at some point, this little old lady with the green eye shadow, driving the green Cadillac with her toes had been a young college student once, and what stories she might have to tell about times when she was young.
I didn’t know, at the time, that my life would forever be changed by the things that happened there in Athens.
I didn’t know that I’d work so hard that even eating 4 meals a day I’d still lose 30 pounds in 10 weeks.
I didn’t know then that I’d do things, make friends, and have adventures in the next few years that I still smile about today.
I didn’t know then whether the dreams I had of being a globe-trotting photojournalist would pan out, but I was sure going to try.
There was so much, that fall, that I didn’t know, and as I think now about sitting there in that green Cadillac, I realize that the little old lady must have been able to look back at the kind of September that I – well, not that I was about to experience, but the kind of September I’d remember, too. She, by driving me around, was sharing her own memories, her hangouts, her little secrets, and in a way, allowing me to be a part of her reliving her own youth. It was, I realized years later, an honor, and a privilege, to be allowed to be part of that moment in her life.
All during the writing of this, I’ve been drawn back to the song … (listen – or read the music and lyrics)
(music © by Harvey Schmidt, words © by Tom Jones)
Try to remember the kind of September
When life was slow and oh, so mellow.
Try to remember the kind of September
When grass was green and grain was yellow.
Try to remember the kind of September
When you were a tender and callow fellow.
Try to remember, and if you remember,
Then follow.
Follow, follow, follow, follow, follow,
Follow, follow, follow, follow.
Try to remember when life was so tender
That no one wept except the willow.
Try to remember when life was so tender
That dreams were kept beside your pillow.
Try to remember when life was so tender
That love was an ember about to billow.
Try to remember, and if you remember,
Then follow.
Deep in December, it’s nice to remember,
Although you know the snow will follow.
Deep in December, it’s nice to remember,
Without a hurt the heart is hollow.
Deep in December, it’s nice to remember,
The fire of September that made us mellow.
Deep in December, our hearts should remember.
And so, as I hum the words above, I think back with fondness on the memory of a very little old lady in a very big car, who allowed a young student’s September to be a part of the December in her life.






