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My son and I were talking the other day, and the subject of the conversation was about asking for things. I’ve learned, over the years, that often you don’t get what you want because you don’t ask for it. This concept has been around for thousands of years. I learned it pretty clearly on a number of occasions, We talked about how, if you don’t ask for something, the answer, if you will, is a guaranteed ‘no’, whereas if you do ask, the answer is at least a ‘maybe’.
So I got to thinking about this whole thing – realized that a number of the stories I’ve written are because I simply didn’t understand that someone could possibly say ‘no’ to a well reasoned, logical request. The story about Fifi is a prime example. So’s the story about Misty 42. There’s a bunch of unwritten stories still in my head that are the same way – and this whole thing could apply to any life situation.
I mean seriously, what right did I have to badger a newspaper photo editor that I didn’t know into holding space for me on the front page of his paper so I could talk my way onto the only flying B-29 in the world… Then again – who was I to just casually talk my way onto a KC-135 tanker (twice, actually) and get a picture of an F-4 Phantom seconds before it refueled? Who was I to get strapped into a C-130 for the greenest ride of my life? What did I do to deserve something as cool as some of the things I was privileged to do?
Well – the answer’s pretty simple.
I asked.
See – that whole thing about a guaranteed “no” is something I learned early on, whether it involved asking a young lady out on a date when I was younger, or asking for a seemingly nonexistent transmission for my car, or if I somehow could get go onto a plane, train, or automobile (yes, I have stories of all three) – it was still the same.
If I didn’t ask, the answer was no.
So…
I asked.
So with that as a little bit of a background, let me take you to a small town in west central Ohio for one of these stories – just because it was an example of what a difference asking a question like that can make.
I’d just started my internship at the Sidney Daily News, and was between assignments, looking for some of what they called “Feature” shots. That means anything that makes you think thoughts like “oh, cool!” or “gosh, I wonder how they got that shot”, or just something that’s a fun picture to take, something to share with the folks who live in the area, and, hopefully, is of general interest.
Part of this was just having a fresh set of eyes that hadn’t seen anything like this town before, part of it was just curiosity.
So being between assignments, I found myself in the center of town, driving circles counter clockwise around the courthouse. There was construction going on, and I thought I could make an interesting image out of it. I saw a fellow up on the scaffolding, and figured I’d found something to work with – so I parked the car, grabbed my gear, and moved so there weren’t trees in the way. I realized I’d need my 300 mm Nikkor 4.5 because of how far I was – then realized that wasn’t enough, so I put the doubler on it, making it act like a 600 mm lens. I got down on one knee, steadied myself with one elbow on the trunk lid of the car, and then realized that I was taking a shot anyone on the street could take with what was then the camera that produced some of the crappiest pictures on the market, a Disc Camera. Oh, sure, my shot would be like a telescope compared to the disk camera, but that wasn’t the point… The point was that I’d been hired to take photographs that other people couldn’t see, that other people couldn’t get to, or that other people would never in their wildest dreams think of taking.
I mean, it was possible to take a photograph of the courthouse from the ground and have it look great. I found a shot online and asked the fellow if I could use it (Thank you David Grant)– and here it is:
Problem though, was the light for what I wanted to shoot, while gorgeous like the shot above, wasn’t that gorgeous on the side of the court house where my picture was waiting for me. I knew that – I’d driven around the thing, and sure enough, all the action was on the shady side.
Sigh.
I put the camera down before I took a poorly lit shot anyone else could take from across the street, and stood up.
And then I did something dangerous.
I started wondering…
I wondered what the view from up there was like…
And then I wondered how I could get up there…
And then I did some thinking about how I could get up there.
See, if you want to get into a building, and if you want to go straight to the top, it’s best to start right at the bottom – and often, as in this case, the fellow at the bottom is the janitor.
Janitors are amazing people.
They have keys for EVERYTHING.
So I made sure the car was locked, threw everything over my shoulder and headed into the courthouse, to have a chat with whoever was playing receptionist and see if together we could find the janitor.
One receptionist’s phone call later, I was introduced to the older gentleman with the iconic huge ring of keys, and I heard myself give what would be my standard greeting for the next few months, “Hi, my name’s Tom Roush and I’m a photographer for the Sidney Daily News…” followed by the question of the day. In this case, it was: “I see you’ve got some work being done on the roof, and was wondering if I could get some shots of it for the paper. Is there any way I could get up there?”
I don’t think five minutes had gone by from the time I didn’t take that picture over the trunk of the car until I was walking out of the elevator, through a dusty attic filled with huge beams, and through a small open window onto the roof.
The janitor looked out, called up to the fellow I’d seen, then stepped aside and let me crawl out.
I introduced myself to the fellow many feet over my head up on the scaffolding and asked if I could come up.
He stopped his caulking for a moment and looked down, seeing I was carrying a camera bag, a couple of cameras, including that one with the 300 mm lens and the doubler on it. Somehow bringing the bag up there onto the scaffolding was deemed, without any words needing to be spoken, a bad idea. So I set it down, put the 24mm wide angle lens on the F-3, slung it over my shoulder, and carefully climbed up the scaffolding.
I climbed on top of the topmost section of scaffolding so I could look down and see him, my goal being to see – and thus tell a story – that no one else could see. I sat on the very top of the scaffolding, wrapped my right leg around the vertical part of the support, leaned back, (yes, the scaffolding leaned with me, but not by much) composed the frame so the horizon was at the top of the frame, then told the fellow to just keep working as he could (as I write this I still can’t believe I did that – had I slipped, there was nothing but air between me and the roof about 30 feet below, and I would have rolled down, then off the roof and fallen another 40 feet or so before becoming one with the pavement)
And the thing is – I could have taken that first shot from across the street, it would have been safe – but it would have been a totally forgettable image, lost in the back of the paper somewhere.
But I didn’t take that first shot.
I wondered, “What if?”
I wondered, “What can I do that will make this better?”
And then I realized the only thing keeping me from making it better was me. I had to go in, ask a question that they could have easily said,”No.” to, and that would have been that.
But I didn’t.
I asked.
And when you’re faced with weird situations in life when you’re just thinking there’s no way you can succeed – trust me, there are ways you can succeed. And stand out – literally above the crowd.
There have been times in my life – and there will be times in yours, when you find you can barely think of the question to ask, much less step out of your comfort zone and ask it, but that little thought, that maybe, just maybe, asking will make a difference, that *is* the difference. In fact, often, the hardest/simplest/most important thing of all is for you to step out of your comfort zone and just ask.
Now, understand, whoever you’re asking might say no, and you’ll be right where you were before you asked the question, but so what? You can try something else then.
On the other hand, if you don’t ask, the “no” is guaranteed.
So…
Take care – really – be careful out (and up) there.
And don’t forget, it’s okay to ask. Think about it: what’s the worst that can happen? (they say “No”, and life hasn’t changed. But if you do – the results can be magic.
I’m working on a few more stories that will show you what happens if you dare to ask – they’ll come out over the next year or so, and often, they will be the story behind a photograph (which is proof in and of itself)
All that said, here (below) is the shot I’ve been describing. (in another frame you’d see the camera bag teetering at the bottom of the frame, but that one didn’t make the final cut) – and below that is how they actually ran it in the paper.
…and how it appeared in the paper the next day.

The front page, with the camera & lens I shot it with. At top is the camera bag mentioned in the story. (click for larger image)
Heh…
MSN had this question on their website awhile back – and I had to answer, “Uh, yeah.”
Years ago, I was working for the newspaper in Tacoma Washington as a photojournalist when I saw smoke coming from the south… Not just a little smoke, but a huge amount of it – forest fire size. I checked with my editor, and they cleared me to go shoot it. I filled up the tank of the company’s Corolla I’d been assigned, and headed south.
Thing is, to get there (Morton) from Tacoma was about an hour and a half or so, so I wasn’t able to go instantly, but I followed my nose and eventually came across a sign spray painted on a 4 x 8 sheet of plywood:
← Forest Fire
- it had an arrow pointing left. I took that road, and drove for miles on a logging road laid through the forest like a broken suspender. Finally came to a clearing with a pond where a helicopter was dipping water – I got a few shots of that with a 50 mm lens because it was quite literally right in front of me, then just as he pulled out – an aerial tanker shot out from behind a hillside in the distance – dumping his load of red fire retardant onto the fire. It was amazing, hillside… smoke… tanker… red stuff… I swung the camera up and got the picture – but because I still had the 50mm lens on the camera, it was a teensy bit of an image – I’d needed a telephoto for that, and that was still in the case in the back seat of the car.
So I did what’s normal for firefighters, ambulance drivers, cops, and journalists, and drove toward the flames.
I kept seeing signs for the tanker trucks, and the trucks themselves, often feeling them before I saw them, rolling earthquakes coming down the mountain to refill themselves with more water.
The newspaper I worked for had radios in all the cars, and they worked on a repeater system, a lot like cell towers. You’d grab the mike, push the talk button, and wait for the chirp to tell you the repeater was in range, and then you’d start talking. If you were out of range, you’d get the obnoxious “braaap” instead of the chirp. By this time all I heard was “braaap.” I was on my own. I made it around the edge of this box canyon and was heading up a ridge. The next turn would have put me on the hillside that tanker had hit. It was around this time that the car started handling a little differently… Mushy in the rear end, drifting to the right. (toward the box canyon).
Uh oh…
This was followed by the sound and sparks of the rim of the wheel hitting the sharp rocks on the road that had flattened the tire.
I couldn’t control the car very well, the rim wasn’t giving me anything in the way of traction, so I had to stop – in the middle of a hill, flaming box canyon to my right, smoldering hillside to my left. I tried to change the tire – but given where I was, any tanker truck careening down the hill to get refilled would see me at the last second, before there was too much time to avoid a collision…. And…. That would make the forest fire a bit worse.
This would be bad.
I squeezed the car off to the side as far as I could, and hit the ground with the dedication and intent of an Indy pit crew.
Except, they jack up on level concrete.
I didn’t have that.
They have these pneumatic insta-jacks.
I didn’t.
They have air wrenches.
I had a big bent wire with a socket on the end of it.
I was jacking up a company car, on a hill, with a flat, so it was hard to even get the jack under there, and once I got it up, it desperately wanted to fall off. Most of the things that I would have used to brace the car to keep it from rolling were on fire, so that limited my options a bit. Understand, at this point I’m feverishly working on getting the car into the air, got my back to the canyon now, so all I see reflected in the car fender is embers.
Oh good…
The smoke was getting a little thicker, and to say that there was a touch of urgency in my actions might be considered an understatement. My main concern at that time was being hit by an out of control tanker truck – well, the forest fire was a bit of a concern, too, but the only place to run to avoid the collision was on fire.
Oh, the other thing Indy pit crews have is tires with air in them. I’d gotten the spare out of the trunk – and it was then that I discovered that it was low. Not flat, but low enough to keep me from driving the car very fast on this or any road, much less a dirt one with sharp tire eating rocks on it.
At this point, it was quite clear that getting photos of the forest fire was rather secondary to me getting myself out of there.
iSo if it isn’t clear yet, I’m in the middle of a hill, on a dirt road, smoldering canyon to my right, hill to my left, road up ahead turns left out of sight, and since the road wasn’t wide enough to do a three point turn, the only way I can get out is to back out down the hill on an almost flat tire until I can find a spot to turn around. So I did that, backed up for about ¾ of a mile – then drove far, far slower than I wanted to as I was getting out – leaving the smoldering hillsides in my rear view mirror.
What I didn’t know then – at least until the next day – is that among all the burning stuff was some poison oak. I was wearing contact lenses at the time, and whatever was in the poison oak got into them. The next day – I only had to put the contacts in and I felt like my eyes were on fire. Ended up going to a clinic then to get things taken care of, but enough of the oils in the poison oak had gotten into the soft contacts that they were completely shot.
So: did I get the picture and did it make the paper?
Well, I got pictures. Not the dramatic ones I wanted, but I got something , but the most important bit was that I got out.
Part 2…
I had to drive quite awhile on that tire – remember, it’s not completely full of air – so the car’s lurching about as I have to drive slow so as not to overheat it and blow that one, too.
Eventually I found a gas station in Elbe, and filled up the (by now) very hot tire there. As I left, I saw an absolute herd of emergency vehicles heading the other way.
Knowing I had to get the film back to the paper, I tried to reach them on the radio: “Braaaap” – no go. I found a payphone. No go. Every number I called was simply unavailable and I couldn’t reach them by radio.
Then I heard on the scanner that this was a fatal accident, and the paper generally wanted images of fatal accidents, so I kept trying to call, and eventually gave up and chased the State Patrol and the aid cars and the various official vehicles. They left the main road and headed down a gravel forest service road at high speed. I stayed glued to them, because otherwise I’d be completely lost. I heard the EMT’s talking to each other on the scanner, “Who’s that in the little brown car? Is he with us?” “Nah, he’s not with us, must be some sort of vulture from the media.”
Oh good… I was a vulture.
We all got to the scene of the accident – and it was striking how innocuous the road looked. It didn’t look like you could kill yourself on this road, but someone drove their last mile here. It swept gently left, then gently right, and as it was gravel, you could see exactly what had happened. The fellow was going too fast, and started sliding on the left turn, then finally caught it, and overcorrected too late when the road swung right. The truck was on its side in the middle of the road and by now it was getting quite dark. I should have been back at the paper hours ago.
I was living at home with my folks at the time, and knew that they’d be worried if I didn’t show up and didn’t call to tell them why. I was trying to figure out how to do that when one of the staters walked up to me and asked if I could take some photos of the accident scene for them. I saw my chance: “Sure – as long as I can talk you into calling my folks and letting them know I’m okay… – just – when you call, don’t immediately identify yourselves as “hi, I’m Sgt. Smith from the Washington State Patrol and I’m calling about your son, who’s at the scene of an accident…” – that would freak them right out…
Call ‘em – let ‘em know I’m okay – and I’ll shoot what you want. Deal?
Deal.
So I shot, then headed back to the car, and drove as fast as I could to get back to the paper to process the film of the forest fire and accident. Of course, I didn’t want to drive so fast that I’d see the same Staters again.
I kept hitting the microphone switch, waiting for the little ‘chirp chirp’ that told me I’d hit the repeater, because once I’d hit that, I knew I’d be able to talk to the paper.
It took about 30 minutes of fast driving before I got a chirp, and 10 more before I got it reliably. Once there, I got through to the chief photographer, who told me to call him when I was closer – I’d missed the color deadline, we’d see if I could get there in time to do the black and white deadline.
By the time I got to – let’s call it ‘civilization’ – I’d missed the black and white deadline, too, so what this meant is that the photos I’d taken would never see print.
When he knew where I was, he told me to just head home – which saved me about 40 miles of driving.
I went home, and got there somewhere between 9 and 10 – and took the contacts out and crashed.
Part 3
Next day – when I put the contacts in – all the oils from the burning poison oak were like red hot pokers in my eyes – and it was almost impossible to see – and for a photographer, that’s kind of a bad thing. I went to a clinic where we decided the contacts were a lost cause, and that if I was ever near a forest fire again, I should do what I could to stay upwind of it.
It seemed like a good idea.
Is there a moral to this? I didn’t think of any while writing this – but I feel I need to tie it all together somehow.
Well, I suppose there’s several morals:
- Be prepared. This might sound like a little Boy Scout thing – but there’s a lot of truth to it. Make sure you’ve got air in your spare, make sure you’ve got a jack handle. I know of one person who decided that to get better mileage, he’d dump the spare and the jack, “because he had roadside assistance on his cell phone”. That just wouldn’t have worked out there.
- Make sure the folks who care about you know where you are. It’s just not cool to make people worry unnecessarily.
- When shooting forest fires… Shoot from the upwind side.
…and stay away from the poison oak. It’s nasty…
(c) Tom Roush 2009









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